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Lyrics

‘I feel for this generation’: Welcome to Brexit island – in pictures

by Azlyrics December 13, 2022 No Comments

07.00 GMT

Last modified on Tue 13 Dec 2022 16.05 GMT

  • Robert Darch: ‘I grew up in a small town in the Midlands. At the time it felt landlocked and I was always exploring the edges, trying to find a way out. The winter skies were heavy, still and grey. I made trips back to the Midlands to photograph for The Island and captured Ella, as a lone figure in a field on the edge of my home town’ The Island is available to purchase from www.robertdarch.com

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  • ‘Daisy and Will. I completed The Island in 2019, only publishing it this year. Daisy remarked to me recently, that “the whole concept feels all the more pertinent now” as we head into a dark winter. I couldn’t have predicted the future, but I had a feeling’

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  • ‘Abi, photographed on the edge of The Island. The subjects in the book act as stand-ins, both reflecting my feelings and acting as representations of their generation in the fictional space I have created’

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  • ‘The Valley of the Rocks. The Island was conceived as a response to the Brexit vote and the heaviness I felt about that decision. Rather than trying to explain or rationalise what happened I started taking pictures that reflected how I felt about the freedoms we had lost and what I imagined the future would hold’

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  • ‘Abi, in a cave. I made portraits of young people as I believe they will feel the effect of the decision to leave the EU the most. In general there was a large divide in how people voted, with the majority of young voters wanting to stay in the European Union’

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  • ‘A holiday chalet, photographed in midwinter. Pillows piled up, pushing against the window. Outside, a pillow hangs over the decking as if slowly trying to escape the confines of the building’

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  • ‘An old swing, whose chains have broken at some point, has been re-hung with cord. The original seat, replaced with a bit of old driftwood, hangs lower than it used to’

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  • ‘Devon, photographed in an old greenhouse. I spent 10 years working in an art centre and a cinema. Both jobs were badly paid and zero hours contracts, but I met some lovely people, including Devon who worked in the bar’

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  • ‘Twilight on the river Exe. I am drawn to landscapes that feel like they should inhabit a storybook, as words or illustrations rather than something that exists in reality’

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  • ‘Ruby, just before the snow. My formative years were the mid 90s: cool Britannia, Britart, Britpop and the promise of New Labour. I feel for this generation. Cost of living, Covid, the climate crisis and the threat of nuclear war’

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  • ‘Princetown prison. Built in the middle of bleak and desolate Dartmoor in 1809, to accommodate Napoleonic prisoners of war who were originally housed in derelict ships’

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  • ‘The book ends with this image of a de-limbed tree photographed at dusk, in the fog’

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Topics


  • Photography

  • Brexit

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